4.296 file audio bebas royalti untuk "59 Limit Tuning And Intervals"

*2 steps in 21 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/21:1 = 114.29 cents. MIDI pitch bend: 73,68

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

*Young temperament widest major third on C. = 407 cents.

*1 step in 9 equal temperament on C. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74

*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75

MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66

*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.

*22 steps in 72 equal temperament on C. Equal-tempered: 222/72=11/36:1 = 366.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 365.625 cents rather than 366.674. New version a m3 on 42,85 for 366.6503906250 cents rather than 366.674.

*1 step in 36 equal temperament/6th tone on C. Equal-tempered: 22/72:1 = 33.33 cents. MIDI pitch bend: 85,74

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

C6add9 chord.

*5 steps in 7-et on C. Equal-tempered: 25/7:1 = 857.14 cents. MIDI pitch bend: 37,50

*6 steps in 7-et on C. Equal-tempered: 26/7:1 = 1028.57 cents. MIDI pitch bend: 18,73

*3 steps in 7-et on C. Equal-tempered: 23/7:1 = 514.29 cents. MIDI pitch bend: 73,68

*8 steps in 23-et on C = ?. Equal-tempered: 28/23:1 = 417.39 cents. MIDI pitch bend: 72,69

*Neutral second/three-quarter tone on C = D. Equal-tempered: 21/8=3/24:1 = 150 cents. MIDI pitch bend: 0,48 Preceded by:File:Quarter tone on C.mid

*4 steps in 7-et on C. Equal-tempered: 24/7:1 = 685.71 cents. MIDI pitch bend: 54,59

*Sixth-tone/1 step in 36 equal temperament on C. Equal-tempered: 21/36:1 = 33.33 cents. MIDI pitch bend: 85,42

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

6/8 clave, second form (son clave)

Wohlbekannte Melodie mit Oktavsprüngen

Standard bell pattern.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

langsamere Variante der authentischen Kadenz

clave pattern in 5/2

clave pattern in 7/4

6/8 clave, first form (standard pattern)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).